A Class Struggle in Umberto’s Boccioni’s Painting- Street Noises Invade the House (1911)

نویسندگان

چکیده

The modern art of the early twentieth century is reaction to Realism, and impressionists were first who broke away from so called rule bound represented bourgeoisie. That say that they are harbingers art. As Europe was shifting swiftly with new things being built, changing whole concept in an attempt avoid myths history painting developed a perspective look at do it as for anyone. This avant-garde has brought about symbolism, cubism, fauvism futurism. It also put dimension mode representation. Futurism embraces chaos advances technology features like dynamism, speed, energy, vitality change inspiring way reject tradition face future. Against this backdrop, paper examines how futurism, artistic representation situated context into social Umberto Boccioni’s painting- Street Noises Invade House (1911) vis-a-vis Marxist approach class struggle. In addition, analyzes formal elements- color, structure, balance harmony employed by artist constitute composite whole.

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ژورنال

عنوان ژورنال: Nepal journal of multidisciplinary research

سال: 2022

ISSN: ['2645-8470', '2705-4691']

DOI: https://doi.org/10.3126/njmr.v5i1.44611